This installation of the Paul J. Schupf Wing for the Works of Alex Katz highlights different strategies of repetition in Katz’s art, focusing on four words that describe this defining aspect of his artistic practice: reflection, recurrence, reduplication, and re-creation…

Painted: Our Bodies, Hearts, and Village centers Pueblo perspectives on the contexts that informed the social and cultural landscape of Taos from 1915 to 1927, when the Taos Society of Artists (TSA), a group of Anglo-American painters, was active…

One of the first exhibitions to explore Louise Nevelson’s sculptures and works on paper in dialogue with their historical moment, The World Outside: Louise Nevelson at Midcentury illuminates the artist’s multidimensional command of form and attunement to postwar culture in the United States…

Maine native Eastman Johnson was one of the most significant painters of the nineteenth century and was instrumental in the development of genre painting in the United States…

This exhibition offers participating students the opportunity to exhibit their work and participate in the museum’s exhibition process from start to finish…

This exhibition brings together three contemporary artists who have never shown together before, but are all remarkable for their punchy, surreal installations…

“Your life is defined in time. The way I relate to this in my work is by thinking of infinity: to the time of religion, of history … using shapes that have been significant to people for thousands of years.”—Martha Diamond, interviewed for the Whitney Biennial 1989